From concrete examples, "Challenge Society" showed how these new strategies of design could both provide new weapons to private businesses and to answer some of the problems of the Danish public sector such as the quality of life in prisons or retirement homes. The offices of design which have adopted this framework of action work in collaboration with researchers from different disciplines such as ethnography, psychology or anthropology. This holistic approach allows them to combine their expertise to identify solutions on measure. That can make the designers, what is the specificity of their approach? First of all, their state of mind turned toward the search for solutions. If the social sciences provide a critical and means of analysis, the designers have before any a functional approach, oriented toward the search for practical solutions, effective and attractive. Other specificities of the "thinking design" identified by the exhibition, the priority given to the ease of use of the interface, a service or an object, from the point of view of the user. But also the search for solutions oriented to the future, based on the latest technologies.
Toward the concentration and frugality
If the design is changing today to face, it is that the issues of quality of life have changed. In his book Change By Design: How design thinking transforms Organization and inspired innovation, Tim Brown, the President of IDEO, the design company in California of reference in the field of design of service, defines its own change of culture as the passage of a discipline centered on the technology to a discipline centerd on the human being. "What excites the more the designers today is to exercise their skills on the problems that really count," he explains. Less than gadgets, live better. At the same time the movement of voluntary simplicity which develops among the consumers - and which -consiste to make the choice of a certain frugality in its mode of life - to respond to the glut to which we are constantly faced, a new interpretations of the design is to try to reduce the number of objects in our lives rather than to create new ones. By combining, for example, several functions of different products in a single (like the smartphones that take photos and videos, give the time and the temperature…).
Since 1960, the design is in part influenced by the thoughts of Jean Baudrillard, Gilbert Simondon and Edgar Morin and is conceived more as a system, a realization of complex thought.
Brief history of design
The history of design is confused with the history. The origins of the industrial revolution in the contemporary design, a brief chronology.
Designed by Joseph Paxton for the Universal Exhibition of London of 1851, the Crystal Palace is built in a record time of 8 months from modular units standardised, prefabricated in factory. The building is huge: 563 meters long by 263 wide, for a surface area of 70 000 m2. Top of 36 meters, it account 3 300 columns of cast iron, 2 224 beams and 300 000 elements of glass. This hymn to the glory of the new industrial society encounters a very strong opposition on the part of the criticism and art historian John Ruskin, relayed, a few years later, by the Arts and Crafts movement, including William Morris is one of the most prominent figures. The debate thus opened between the advocates of the technology and the industry and those who defend a historicist line and the beauty of the single object, will continue throughout the twentieth century and up to our days
To the Renaissance, Disegno (in Italian) is one of the major concepts of the theory of ART. It means both drawing and project. The design as a standalone discipline (since 1968) is to think the daily, to work for a development of each individual.
I. The origins of the production of solution
The history of the design is inseparable from that of the industrial revolution. With the mechanized production, begins a new history of the human environment, written by the industry and no longer only by the artists and artisans. Of the infancy of the steam machine to the first skyscraper, it develops in taking support on technological innovation.
By abuse of language, the word design has become an adjective referring to a registry stylistic and popularly used to describe a industrial object with a sophisticated shape and a sleek appearance: "You prefer the furniture design or the rustic furniture? ". Also, the design is often confused with the styling of object when the exercise is to embellish a object in order to entice consumers.
Here are a few elements to enlighten you and to know a little more on what is the design, but we will have the opportunity to return there. In the meantime, we leave you meditate two sentences, "stolen" on the walls of the Museum of Decorative Arts in Paris. The first, it must in the Italian Ettore Sottsass, disappeared on 31 December last.
"The companies of their offer of floor on topics such as 'what will resemble the banking agencies in 2020?'", comments Jérôme Caby, the Director of the ICN, which launches a new diploma with its partners in 2011: a MSc (diploma post master 1 issued to 100% in English and intended primarily for foreign students) "design and luxury": "Our partnership with the two other schools allows us to issue a Diploma totally new, with marketing approaches that found elsewhere, but also hundred hours of lessons on materials, as much on the design or workshops of digital design."
At the end of the nineteenth century, industrial production invests all areas of daily life, of the building to the current objects. With its wooden furniture curved, built from easily components which can be assembled by screwing, the Austrian Michaël Thonet demonstrates that the production of Series can combine quantity (50 million copies of the Chair "Bistrot" sold between 1859 and 1930) and formal quality.From concrete examples, "Challenge Society" showed how these new strategies of design could both provide new weapons to private businesses and to answer some of the problems of the Danish public sector such as the quality of life in prisons or retirement homes. The offices of design which have adopted this framework of action work in collaboration with researchers from different disciplines such as ethnography, psychology or anthropology. This holistic approach allows them to combine their expertise to identify solutions on measure. That can make the designers, what is the specificity of their approach? First of all, their state of mind turned toward the search for solutions. If the social sciences provide a critical and means of analysis, the designers have before any a functional approach, oriented toward the search for practical solutions, effective and attractive. Other specificities of the "thinking design" identified by the exhibition, the priority given to the ease of use of the interface, a service or an object, from the point of view of the user. But also the search for solutions oriented to the future, based on the latest technologies.
Toward the concentration and frugality
If the design is changing today to face, it is that the issues of quality of life have changed. In his book Change By Design: How design thinking transforms Organization and inspired innovation, Tim Brown, the President of IDEO, the design company in California of reference in the field of design of service, defines its own change of culture as the passage of a discipline centered on the technology to a discipline centerd on the human being. "What excites the more the designers today is to exercise their skills on the problems that really count," he explains. Less than gadgets, live better. At the same time the movement of voluntary simplicity which develops among the consumers - and which -consiste to make the choice of a certain frugality in its mode of life - to respond to the glut to which we are constantly faced, a new interpretations of the design is to try to reduce the number of objects in our lives rather than to create new ones. By combining, for example, several functions of different products in a single (like the smartphones that take photos and videos, give the time and the temperature…).
Since 1960, the design is in part influenced by the thoughts of Jean Baudrillard, Gilbert Simondon and Edgar Morin and is conceived more as a system, a realization of complex thought.
Brief history of design
The history of design is confused with the history. The origins of the industrial revolution in the contemporary design, a brief chronology.
Designed by Joseph Paxton for the Universal Exhibition of London of 1851, the Crystal Palace is built in a record time of 8 months from modular units standardised, prefabricated in factory. The building is huge: 563 meters long by 263 wide, for a surface area of 70 000 m2. Top of 36 meters, it account 3 300 columns of cast iron, 2 224 beams and 300 000 elements of glass. This hymn to the glory of the new industrial society encounters a very strong opposition on the part of the criticism and art historian John Ruskin, relayed, a few years later, by the Arts and Crafts movement, including William Morris is one of the most prominent figures. The debate thus opened between the advocates of the technology and the industry and those who defend a historicist line and the beauty of the single object, will continue throughout the twentieth century and up to our days
To the Renaissance, Disegno (in Italian) is one of the major concepts of the theory of ART. It means both drawing and project. The design as a standalone discipline (since 1968) is to think the daily, to work for a development of each individual.
I. The origins of the production of solution
The history of the design is inseparable from that of the industrial revolution. With the mechanized production, begins a new history of the human environment, written by the industry and no longer only by the artists and artisans. Of the infancy of the steam machine to the first skyscraper, it develops in taking support on technological innovation.
By abuse of language, the word design has become an adjective referring to a registry stylistic and popularly used to describe a industrial object with a sophisticated shape and a sleek appearance: "You prefer the furniture design or the rustic furniture? ". Also, the design is often confused with the styling of object when the exercise is to embellish a object in order to entice consumers.
Here are a few elements to enlighten you and to know a little more on what is the design, but we will have the opportunity to return there. In the meantime, we leave you meditate two sentences, "stolen" on the walls of the Museum of Decorative Arts in Paris. The first, it must in the Italian Ettore Sottsass, disappeared on 31 December last.
"The companies of their offer of floor on topics such as 'what will resemble the banking agencies in 2020?'", comments Jérôme Caby, the Director of the ICN, which launches a new diploma with its partners in 2011: a MSc (diploma post master 1 issued to 100% in English and intended primarily for foreign students) "design and luxury": "Our partnership with the two other schools allows us to issue a Diploma totally new, with marketing approaches that found elsewhere, but also hundred hours of lessons on materials, as much on the design or workshops of digital design."
At the end of the nineteenth century, industrial production invests all areas of daily life, of the building to the current objects. With its wooden furniture curved, built from easily components which can be assembled by screwing, the Austrian Michaël Thonet demonstrates that the production of Series can combine quantity (50 million copies of the Chair "Bistrot" sold between 1859 and 1930) and formal quality.From concrete examples, "Challenge Society" showed how these new strategies of design could both provide new weapons to private businesses and to answer some of the problems of the Danish public sector such as the quality of life in prisons or retirement homes. The offices of design which have adopted this framework of action work in collaboration with researchers from different disciplines such as ethnography, psychology or anthropology. This holistic approach allows them to combine their expertise to identify solutions on measure. That can make the designers, what is the specificity of their approach? First of all, their state of mind turned toward the search for solutions. If the social sciences provide a critical and means of analysis, the designers have before any a functional approach, oriented toward the search for practical solutions, effective and attractive. Other specificities of the "thinking design" identified by the exhibition, the priority given to the ease of use of the interface, a service or an object, from the point of view of the user. But also the search for solutions oriented to the future, based on the latest technologies.
Toward the concentration and frugality
If the design is changing today to face, it is that the issues of quality of life have changed. In his book Change By Design: How design thinking transforms Organization and inspired innovation, Tim Brown, the President of IDEO, the design company in California of reference in the field of design of service, defines its own change of culture as the passage of a discipline centered on the technology to a discipline centerd on the human being. "What excites the more the designers today is to exercise their skills on the problems that really count," he explains. Less than gadgets, live better. At the same time the movement of voluntary simplicity which develops among the consumers - and which -consiste to make the choice of a certain frugality in its mode of life - to respond to the glut to which we are constantly faced, a new interpretations of the design is to try to reduce the number of objects in our lives rather than to create new ones. By combining, for example, several functions of different products in a single (like the smartphones that take photos and videos, give the time and the temperature…).
Since 1960, the design is in part influenced by the thoughts of Jean Baudrillard, Gilbert Simondon and Edgar Morin and is conceived more as a system, a realization of complex thought.
Brief history of design
The history of design is confused with the history. The origins of the industrial revolution in the contemporary design, a brief chronology.
Designed by Joseph Paxton for the Universal Exhibition of London of 1851, the Crystal Palace is built in a record time of 8 months from modular units standardised, prefabricated in factory. The building is huge: 563 meters long by 263 wide, for a surface area of 70 000 m2. Top of 36 meters, it account 3 300 columns of cast iron, 2 224 beams and 300 000 elements of glass. This hymn to the glory of the new industrial society encounters a very strong opposition on the part of the criticism and art historian John Ruskin, relayed, a few years later, by the Arts and Crafts movement, including William Morris is one of the most prominent figures. The debate thus opened between the advocates of the technology and the industry and those who defend a historicist line and the beauty of the single object, will continue throughout the twentieth century and up to our days
To the Renaissance, Disegno (in Italian) is one of the major concepts of the theory of ART. It means both drawing and project. The design as a standalone discipline (since 1968) is to think the daily, to work for a development of each individual.
I. The origins of the production of solution
The history of the design is inseparable from that of the industrial revolution. With the mechanized production, begins a new history of the human environment, written by the industry and no longer only by the artists and artisans. Of the infancy of the steam machine to the first skyscraper, it develops in taking support on technological innovation.
By abuse of language, the word design has become an adjective referring to a registry stylistic and popularly used to describe a industrial object with a sophisticated shape and a sleek appearance: "You prefer the furniture design or the rustic furniture? ". Also, the design is often confused with the styling of object when the exercise is to embellish a object in order to entice consumers.
Here are a few elements to enlighten you and to know a little more on what is the design, but we will have the opportunity to return there. In the meantime, we leave you meditate two sentences, "stolen" on the walls of the Museum of Decorative Arts in Paris. The first, it must in the Italian Ettore Sottsass, disappeared on 31 December last.
"The companies of their offer of floor on topics such as 'what will resemble the banking agencies in 2020?'", comments Jérôme Caby, the Director of the ICN, which launches a new diploma with its partners in 2011: a MSc (diploma post master 1 issued to 100% in English and intended primarily for foreign students) "design and luxury": "Our partnership with the two other schools allows us to issue a Diploma totally new, with marketing approaches that found elsewhere, but also hundred hours of lessons on materials, as much on the design or workshops of digital design."
At the end of the nineteenth century, industrial production invests all areas of daily life, of the building to the current objects. With its wooden furniture curved, built from easily components which can be assembled by screwing, the Austrian Michaël Thonet demonstrates that the production of Series can combine quantity (50 million copies of the Chair "Bistrot" sold between 1859 and 1930) and formal quality.From concrete examples, "Challenge Society" showed how these new strategies of design could both provide new weapons to private businesses and to answer some of the problems of the Danish public sector such as the quality of life in prisons or retirement homes. The offices of design which have adopted this framework of action work in collaboration with researchers from different disciplines such as ethnography, psychology or anthropology. This holistic approach allows them to combine their expertise to identify solutions on measure. That can make the designers, what is the specificity of their approach? First of all, their state of mind turned toward the search for solutions. If the social sciences provide a critical and means of analysis, the designers have before any a functional approach, oriented toward the search for practical solutions, effective and attractive. Other specificities of the "thinking design" identified by the exhibition, the priority given to the ease of use of the interface, a service or an object, from the point of view of the user. But also the search for solutions oriented to the future, based on the latest technologies.
Toward the concentration and frugality
If the design is changing today to face, it is that the issues of quality of life have changed. In his book Change By Design: How design thinking transforms Organization and inspired innovation, Tim Brown, the President of IDEO, the design company in California of reference in the field of design of service, defines its own change of culture as the passage of a discipline centered on the technology to a discipline centerd on the human being. "What excites the more the designers today is to exercise their skills on the problems that really count," he explains. Less than gadgets, live better. At the same time the movement of voluntary simplicity which develops among the consumers - and which -consiste to make the choice of a certain frugality in its mode of life - to respond to the glut to which we are constantly faced, a new interpretations of the design is to try to reduce the number of objects in our lives rather than to create new ones. By combining, for example, several functions of different products in a single (like the smartphones that take photos and videos, give the time and the temperature…).
Since 1960, the design is in part influenced by the thoughts of Jean Baudrillard, Gilbert Simondon and Edgar Morin and is conceived more as a system, a realization of complex thought.
Brief history of design
The history of design is confused with the history. The origins of the industrial revolution in the contemporary design, a brief chronology.
Designed by Joseph Paxton for the Universal Exhibition of London of 1851, the Crystal Palace is built in a record time of 8 months from modular units standardised, prefabricated in factory. The building is huge: 563 meters long by 263 wide, for a surface area of 70 000 m2. Top of 36 meters, it account 3 300 columns of cast iron, 2 224 beams and 300 000 elements of glass. This hymn to the glory of the new industrial society encounters a very strong opposition on the part of the criticism and art historian John Ruskin, relayed, a few years later, by the Arts and Crafts movement, including William Morris is one of the most prominent figures. The debate thus opened between the advocates of the technology and the industry and those who defend a historicist line and the beauty of the single object, will continue throughout the twentieth century and up to our days
To the Renaissance, Disegno (in Italian) is one of the major concepts of the theory of ART. It means both drawing and project. The design as a standalone discipline (since 1968) is to think the daily, to work for a development of each individual.
I. The origins of the production of solution
The history of the design is inseparable from that of the industrial revolution. With the mechanized production, begins a new history of the human environment, written by the industry and no longer only by the artists and artisans. Of the infancy of the steam machine to the first skyscraper, it develops in taking support on technological innovation.
By abuse of language, the word design has become an adjective referring to a registry stylistic and popularly used to describe a industrial object with a sophisticated shape and a sleek appearance: "You prefer the furniture design or the rustic furniture? ". Also, the design is often confused with the styling of object when the exercise is to embellish a object in order to entice consumers.
Here are a few elements to enlighten you and to know a little more on what is the design, but we will have the opportunity to return there. In the meantime, we leave you meditate two sentences, "stolen" on the walls of the Museum of Decorative Arts in Paris. The first, it must in the Italian Ettore Sottsass, disappeared on 31 December last.
"The companies of their offer of floor on topics such as 'what will resemble the banking agencies in 2020?'", comments Jérôme Caby, the Director of the ICN, which launches a new diploma with its partners in 2011: a MSc (diploma post master 1 issued to 100% in English and intended primarily for foreign students) "design and luxury": "Our partnership with the two other schools allows us to issue a Diploma totally new, with marketing approaches that found elsewhere, but also hundred hours of lessons on materials, as much on the design or workshops of digital design."
At the end of the nineteenth century, industrial production invests all areas of daily life, of the building to the current objects. With its wooden furniture curved, built from easily components which can be assembled by screwing, the Austrian Michaël Thonet demonstrates that the production of Series can combine quantity (50 million copies of the Chair "Bistrot" sold between 1859 and 1930) and formal quality.From concrete examples, "Challenge Society" showed how these new strategies of design could both provide new weapons to private businesses and to answer some of the problems of the Danish public sector such as the quality of life in prisons or retirement homes. The offices of design which have adopted this framework of action work in collaboration with researchers from different disciplines such as ethnography, psychology or anthropology. This holistic approach allows them to combine their expertise to identify solutions on measure. That can make the designers, what is the specificity of their approach? First of all, their state of mind turned toward the search for solutions. If the social sciences provide a critical and means of analysis, the designers have before any a functional approach, oriented toward the search for practical solutions, effective and attractive. Other specificities of the "thinking design" identified by the exhibition, the priority given to the ease of use of the interface, a service or an object, from the point of view of the user. But also the search for solutions oriented to the future, based on the latest technologies.
Toward the concentration and frugality
If the design is changing today to face, it is that the issues of quality of life have changed. In his book Change By Design: How design thinking transforms Organization and inspired innovation, Tim Brown, the President of IDEO, the design company in California of reference in the field of design of service, defines its own change of culture as the passage of a discipline centered on the technology to a discipline centerd on the human being. "What excites the more the designers today is to exercise their skills on the problems that really count," he explains. Less than gadgets, live better. At the same time the movement of voluntary simplicity which develops among the consumers - and which -consiste to make the choice of a certain frugality in its mode of life - to respond to the glut to which we are constantly faced, a new interpretations of the design is to try to reduce the number of objects in our lives rather than to create new ones. By combining, for example, several functions of different products in a single (like the smartphones that take photos and videos, give the time and the temperature…).
Since 1960, the design is in part influenced by the thoughts of Jean Baudrillard, Gilbert Simondon and Edgar Morin and is conceived more as a system, a realization of complex thought.
Brief history of design
The history of design is confused with the history. The origins of the industrial revolution in the contemporary design, a brief chronology.
Designed by Joseph Paxton for the Universal Exhibition of London of 1851, the Crystal Palace is built in a record time of 8 months from modular units standardised, prefabricated in factory. The building is huge: 563 meters long by 263 wide, for a surface area of 70 000 m2. Top of 36 meters, it account 3 300 columns of cast iron, 2 224 beams and 300 000 elements of glass. This hymn to the glory of the new industrial society encounters a very strong opposition on the part of the criticism and art historian John Ruskin, relayed, a few years later, by the Arts and Crafts movement, including William Morris is one of the most prominent figures. The debate thus opened between the advocates of the technology and the industry and those who defend a historicist line and the beauty of the single object, will continue throughout the twentieth century and up to our days
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To the Renaissance, Disegno (in Italian) is one of the major concepts of the theory of ART. It means both drawing and project. The design as a standalone discipline (since 1968) is to think the daily, to work for a development of each individual.
I. The origins of the production of solution
The history of the design is inseparable fr om that of the industrial revolution. With the mechanized production, begins a new history of the human environment, written by the industry and no longer only by the artists and artisans. Of the infancy of the steam machine to the first skyscraper, it develops in taking support on technological innovation.
By abuse of language, the word design has become an adjective referring to a registry stylistic and popularly used to describe a industrial object with a sophisticated shape and a sleek appearance: "You prefer the furniture design or the rustic furniture? ". Also, the design is often confused with the styling of object when the exercise is to embellish a object in order to entice consumers.
Here are a few elements to enlighten you and to know a little more on what is the design, but we will have the opportunity to return there. In the meantime, we leave you meditate two sentences, "stolen" on the walls of the Museum of Decorative Arts in Paris. The first, it must in the Italian Ettore Sottsass, disappeared on 31 December last.
"The companies of their offer of floor on topics such as 'what will resemble the banking agencies in 2020?'", comments Jérôme Caby, the Director of the ICN, which launches a new diploma with its partners in 2011: a MSc (diploma post master 1 issued to 100% in English and intended primarily for foreign students) "design and luxury": "Our partnership with the two other schools allows us to issue a Diploma totally new, with marketing approaches that found elsewhere, but also hundred hours of lessons on materials, as much on the design or workshops of digital design."
At the end of the nineteenth century, industrial production invests all areas of daily life, of the building to the current objects. With its wooden furniture curved, built from easily components which can be assembled by screwing, the Austrian Michaël Thonet demonstrates that the production of Series can combine quantity (50 million copies of the Chair "Bistrot" sold between 1859 and 1930) and formal quality.
